Paris of Paradoxes
This series of photographs are double-exposure prints of
structures and architecture in Paris. I tried to obtain pictures that in their
whole can be representative of the city, not necessarily all the tourist
hotspots, but the less photographed spaces as well.
I first travelled to
certain destinations that were known to have unique architecture and
structures, and began by photographing such landmarks in the “cliché” manners. As
I familiarized myself with the locations, I searched for odd and undiscovered
angles that had pleasing geometry or intriguing relationships. Sometimes, I
wandered off completely from what I initially set out for and allowed myself to
capture what interested me the most.
The process of double exposure inherently combines or
juxtaposes two subjects. When crowded together on the same page, two initially
unrelated images may suddenly have a dialogue with each other.
Indeed many of the resulting prints did follow
this principle: la Grande Arch de la Defense sitting atop l’Arc de
Triomphe, and an ominous scene from the catacombs overlooking modern skyscrapers.
Jamming these images together creates a concord over a cacophony, order and
chaos coexisting.
The modern and the ancient coexist in a strange way,
crowded in an evolving city. Sometimes this discrepancy is resolved gracefully,
like the glass pyramids at the Louvre, but something still feels amiss in the
integration of the city into the modern world.
As I continued to print from my
negatives, I found similar paradoxes beyond the time period of the structures.
For example: the windmill of the Moulin Rouge fits perfectly into the
Sacre-Coeur Basilica, allowing the contradictory concepts of vice/night-life
and purity to create a harmonious geometry;
the preserved luxurious apartments
of Napoleon III is a testament to the impenetrability of the elite social
class, while overlaid the hallways of the biblothèque nationale de France represents the democratization of
knowledge.
Finishing this series of photographs has made me realize that Paris
is a city of paradoxes, yet these incongruities integrate in an inexplicably
beautiful way.